5,205 Royalty-Free Audio Tracks for "Operas By César Cui"

An orchestrated version of Hungarian Rhapsody No. 2, performed by the U. S. Navy Band's Concert Band

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Scheherazade, Symphonic Suite, Op. 35.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

The United States Air Force Band joined with percussionists from the Marine Band, Army Band, and Coast Guard Band perform a percussion rendition of the American patriotic classic, "When Johnny Comes Marching Home". Arranged by USAF Band composer and staff arranger, Master Sgt. John Bliss. Done in celebration of Veterans' Day. Credits: Colonel Don Schofield - Executive Producer Master Sgt. Adam Green - Producer Chief Master Sgt. Dennis Hoffmann, Master Sgt Jeremy Koch - Videographers Technical Sgt. Tim Hilgert - Video Editor Technical Sgt. Jim Woolf - Audio Engineer Musicians: Master Sgt. Adam Green, The United States Air Force Band “Chief’s Own” - marimba, vibraphone, xylophone, orchestral bells, field drum Sergeant 1st Class Sidonie McCray, The United States Army Band “Pershing’s Own” - vibraphone, xylophone, orchestral bells Master Sgt. Kenneth Wolin, “The President’s Own” United States Marine Band - xylophone, shekere, vibraphone, orchestral bells, field drum Staff Sgt. Michael Hopkins, “The President’s Own” United States Marine Band - orchestral bells, cowbell, vibraphone, xylophone Musician Petty Officer 1st Class Nathan Lassell, The United States Coast Guard Band - drum set, vibraphone, xylophone, orchestral bells

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Second Hungarian Rhapsody

Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.

Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]

Sonata b minor, Domenico Scarlatti, Kirkpatrick 87, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate h-Moll, Domenico Scarlatti, Kirkpatrick 87, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Movement I, "Chaconne", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band. 日本語: グスターヴ・ホルスト作曲『吹奏楽のための第一組曲』より第1楽章「シャコンヌ」。指揮：Frederick Fennell、演奏：米国海兵軍楽隊、録音：1997年4月24日Joseph Meyerhoff Symphony Hall（MD Baltimore）。

Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]

Maurice Ravel: Gaspard de la Nuit - Ondine

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.

Kindertotenlieder, III. Wenn dein Mütterlein.

Sansoen Phra Barami - 1st Infantry Regiment, King's Own Bodyguard (Odeon Record No.101253) ไทย: เพลงสรรเสริญพระบารมี บรรเลงโดยแตรวงทหารมหาดเล็ก บันทึกเสียงลงบนแผ่นเสียงตราโอเดียนตราตึกสีน้ำตาล (รหัส 101253)

Melodie von Heinrich Schütz (ursprünglich Psalmlied) zu Ich weiß, woran ich glaube, Evang. Gesangbuch 357

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

An instrumental U.S. recording of "Wilhelmus van Nassouwe", the Dutch national anthem.

Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)

Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.

Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

The "Marche Hongroise" from La damnation de Faust by Hector Berlioz, played by the U.S. Marine Band for the album Director's Choice.

The second movement of Maurice Ravel's String Quartet, played by string players of the United States Army Band

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Midi file of BWV 601 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Details of the voice leading in m. 3-7 of BWV 941: original

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

Einigkeit und Recht und Freiheit

Not Worth The Expense by Greg Walker

Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427 Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi.

Nutcracker Suite- 5- Arab Dance

Peter Ilyich Tchaikovsky- Nutcracker Suite- 3- Dance Of The Sugar Plum Fairies

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

П. И. Чайковский. Воспоминание о дорогом месте. Часть 3. Мелодия. Обработка Августа Вильгельми (1845—1908). Исполняет Леопольд Ауэр, 1920.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Die Nebensonnen, avant dernier lied du recueil Winterreise de Franz Schubert sur un poème de Müller, par le baryton viennois Hans Duhan.

Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm